Yant Gao Yord (ยันต์เก้ายอด): The Quintessence of Sacred Protection

As an individual deeply immersed in the esoteric traditions of Southeast Asia, particularly the intricate world of Sak Yant, I can confidently assert that the Yant Gao Yord (ยันต์เก้ายอด) holds a singular and preeminent position within the vast pantheon of Thai sacred tattoos. Its ubiquity on the skin of practitioners, from novices to seasoned masters, is undeniable, making it arguably the most frequently inscribed Yant across Thailand’s temples and private samnak.

Yant Gao Yord and Pratap Hlang Seals

Yant Gao Yord and 2 Pratap Hlang Seals – for sealing the spell – usually added to the shoulder blades beneath the Yant in Sak Yant Thai Temple Tattoos. Otherwise inscribed on the rear face of the Yantra Foil for Takrut amulets

This widespread adoption is not merely a matter of aesthetic preference; it speaks to the profound symbolic resonance, protective efficacy, and foundational significance that the Gao Yord embodies within the spiritual framework of Wicha Sak Yant. In this extensive discourse, I aim to dissect the multifaceted nature of the Yant Gao Yord, exploring its historical trajectory, its intricate design, its esoteric meanings, and the compelling reasons for its status as a foundational Yant Kroo (Master Yant) for countless Kroo Ba Ajarn (revered teachers) in the lineage of this ancient art.

Yant Gao Yord Mon style by Ajarn Neng (Awn Nuch).

Yant Gao Yord Mon style by Ajarn Neng (Awn Nuch).

Sak Yant Buddhist Tattoos
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To comprehend the significance of the Yant Gao Yord, one must first appreciate its fundamental structure. The term “Gao Yord” literally translates to “Nine Spires” or “Nine Peaks.”

This numerical and architectural motif is central to its design, which typically features nine distinct representations of the Buddha. These ‘peaks’ are often depicted as conical or pyramidal shapes, each representing a specific aspect of the Buddha’s virtues, a sacred blessing, or an invocation. The precise arrangement can vary slightly between different lineage (samnak) traditions, but the core ‘nine’ element remains constant.

Yant Gao Yord (Nine Spires)

Yant Gao Yord Mon style (Nine Spires)

These central nine spires are invariably accompanied by surrounding Aksorn Khom (Khmer script) sacred syllables, known as Kata (mantras or incantations), and sometimes by other protective symbols or geometric patterns. It is this combination of iconographic representation and phonetic power that imbues the Yant Gao Yord with its potent protective qualities.

My own journey into the depths of Sak Yant has afforded me the privilege of studying numerous variations of the Gao Yord, from the minimalist designs favoring raw spiritual power to more elaborate compositions reflecting specific regional styles.

What becomes immediately apparent is that while the fundamental concept of nine spires remains, the nuanced interpretations by different masters highlight the living, evolving nature of this tradition.

Some Ajarn emphasize the Na Yord Gaew (นะยอดแก้ว), the “Jewel Summit” Yant, within each spire, while others focus on specific Buddha Kata (คาถาพระพุทธเจ้า), or invocations of the Buddha’s divine qualities, such as Itipiso, a powerful Buddhist chant encapsulating the Buddha’s ninety-nine virtues.

The spiritual attributes attributed to the Yant Gao Yord are comprehensive and multifaceted. Primarily, it is revered as a general-purpose protective Yant, offering universal blessings and safeguarding against a wide array of dangers.

These include:

Maha Amnaj (มหาอำนาจ): Bestowing great power, authority, and influence. This is particularly relevant for leaders, soldiers, or anyone seeking to command respect and presence.

Maha Metta (มหาเมตตา): Cultivating loving-kindness and compassion, thereby fostering popularity, goodwill, and favorable interactions with others. This aspect brings forth friendliness and benevolence, helping the wearer avoid conflict.

Klaew Klaad (แคล้วคลาด): Providing evasion from danger, accidents, and harm. This protective quality enables the wearer to avoid perilous situations entirely, or to emerge unscathed from them.

Kongkrapan Chadtri (คงกระพันชาตรี): Granting invulnerability against sharp objects and physical harm. While not absolute, it is believed to reduce the severity of injuries and protect against penetrating wounds.

Chok Lap (โชคลาภ): Attracting good fortune, prosperity, and success in endeavors. This aspect is often sought by merchants and those in business.

Serm Duang (เสริมดวง): Enhancing one’s destiny and improving astrological fortune. It is believed to counteract negative planetary influences and bad luck.

Poka Sap (โภคทรัพย์): Drawing in wealth and abundance. This is distinct from Chok Lap in its focus on material accumulation and financial stability.

Gan Phii (กันผี): Protection against malevolent spirits, black magic, and negative energies. This is a crucial aspect in a culture where belief in such forces is pervasive.

It is this broad spectrum of blessings that makes the Yant Gao Yord an ideal introductory Sak Yant for many, serving as a foundational layer of spiritual protection upon which further, more specialized Yant can be built. In many samnak, it is the first Yant a practitioner receives, establishing a baseline of merit and protection.

Yant Gao Yord with See Bantat (4 Lines) below

Delving into the “construction” of the Yant itself, beyond the visual elements, involves a profound understanding of Pali (บาลี) and Khmer (ขอม) liturgical languages, which form the bedrock of the Kata. The Kata (คาถา) are not merely arbitrary syllables; they are meticulously selected and arranged invocations derived from ancient Buddhist and animist texts. Each syllable, when properly chanted during the tattooing ceremony (Sak Yant Pluk Sek), is believed to resonate with specific cosmic energies and spiritual entities, activating the Yant’s inherent power. For instance, the Na (นะ) symbol, often found within or near the spires, is a potent abbreviation of Namo Buddhaya (นะโมพุทธายะ) – “Homage to the Buddha” – a foundational reverence. The specific Kata associated with Gao Yord often invoke the Buddha Koon (พุทธคุณ), the virtues of the Buddha, creating a spiritual shield.

Sak Yant Gao Yord And Yant Ha Taew

The reasons for the Yant Gao Yord’s status as a Yant Kroo (ยันต์ครู) – a master Yant or fundamental Yant – for so many Kroo Ba Ajarn are multifold and deeply rooted in the practicalities and philosophies of Sak Yant. Firstly, its comprehensive protective qualities make it an indispensable foundation. An Ajarn often ensures that their students or followers possess this basic layer of spiritual armor before moving on to more specialized Yant that might address specific needs or aspirations. It’s akin to teaching the fundamentals of a martial art before introducing advanced techniques; the Gao Yord provides the essential groundwork.

Secondly, the Yant Gao Yord embodies the core tenets of Buddhist teachings that permeate Sak Yant. The nine spires are frequently associated with the Nine Supreme Blessings of the Buddha (นพเคราะห์), or the nine aspects of the Buddhist Dharma that lead to enlightenment. This strong connection to Buddhist principles makes it an ideal Yant for Ajarn who wish to impart not just magical protection but also spiritual guidance. By receiving the Gao Yord, the practitioner is not merely acquiring a tattoo; they are being initiated into a spiritual path that emphasizes mindfulness, compassion, and the cultivation of good karma.

Sak Yant Gao Yord by Luang Pi Pant - this was my (Ajarn Spencer) first Sak Yant tattoo, which is traditional and according to the Dtamra Sak Yant, for this is the Yant Kroo (master Guru yantra) of Luang Por Phern, and should indeed be the first tattoo you recieve before any other Sak Yant.

Sak Yant Gao Yord by Luang Pi Pant – this was my (Ajarn Spencer) first Sak Yant tattoo, which is traditional and according to the Dtamra Sak Yant, for this is the Yant Kroo (master Guru yantra) of Luang Por Phern, and should indeed be the first tattoo you receive before any other Sak Yant.

Furthermore, the simplicity and versatility of the Gao Yord’s design allow for its adaptation across various body parts and its integration with other Yant. While it is commonly found on the back, particularly near the nape of the neck as a primary protective barrier, its compact nature allows for placement on arms or chest as well. This adaptability makes it a practical choice for a “first” Yant, or for masters to use as a central protective element in a larger composition of tattoos.

The historical lineage of the Yant Gao Yord is somewhat difficult to trace definitively, as many ancient Yant designs were passed down orally and through master-disciple relationships, with specific details often remaining within the confines of a particular samnak. However, it is widely believed that the core principles of the Gao Yord, incorporating Buddhist iconography and Khom Kata, have roots extending back centuries, possibly evolving from ancient Khmer and Mon animistic beliefs that predate the widespread adoption of Theravada Buddhism in the region. The integration of Buddhist philosophy provided a new, potent framework for these existing spiritual technologies, elevating them to a higher echelon of sanctity. The presence of Khmer script (Aksorn Khom) in virtually all traditional Sak Yant, including the Gao Yord, is a clear indicator of the deep historical and cultural exchange between the Khmer Empire and various kingdoms in what is now Thailand.

In my experience, observing masters like the late Luang Por Pern (หลวงพ่อเปิ่น) of Wat Bang Pra, who himself was deeply associated with the Gao Yord, underscores its enduring power. His renditions of the Gao Yord were imbued with immense spiritual energy, drawing countless devotees seeking its protective embrace. Modern Ajarn continue this legacy, each adding their subtle interpretation while respecting the core principles that define this iconic Yant. The meticulous process of Pluk Sek (ปลุกเสก) – the ritualistic empowerment of the Yant through chanting, meditation, and spiritual concentration – is paramount. Without proper consecration by an Ajarn with genuine lineage and spiritual attainment, the Yant remains merely ink on skin. The Yant Gao Yord, being a Kroo Yant, often receives an especially potent and prolonged Pluk Sek, reflecting its foundational importance.

The Yant Gao Yord (ยันต์เก้ายอด) is far more than just a popular tattoo; it is a profound spiritual artifact, a compact yet comprehensive repository of protective blessings and Buddhist virtues. Its continued prominence within the Sak Yant tradition stems from its universal applicability, its deep spiritual roots, and its function as a foundational element upon which a practitioner’s spiritual journey can be built.

For any serious student or practitioner of Sak Yant, understanding the Yant Gao Yord is not merely an academic exercise; it is an essential step towards comprehending the very essence of this captivating and powerful sacred art. Its enduring appeal across generations of wearers and masters alike speaks loudly of its efficacy, and its timeless relevance, in providing spiritual fortitude, in an ever-complex world.


Yant Grao Paetch Diamond Armour Yantra

Buddha Magic Project has Published a new Tutorial of the Incantation for the Sacred Yant Grao Paetch (Diamond Armour) Yantra – used in Sak Yant Thai Temple Tattoos and Sacred Amulets.  I (Ajarn Spencer Littlewood), have now published a detailed synopsis of the Kata Pluk (Invocation) of the Kata Yant Grao Paetch.

Sak Yant Grao Paetch Ajarn Pi Bang Grating

Sak Yant Grao Paetch Diamond Armour Yantra Tattoo from Ajarn Pi Bang Grating

The synopsis is made with a whiteboard video using red cursor, to guide you through the composition of the Khom-Pali Kata Inscriptions within the Sacred Yant, and how to Chant this Incantation. This should help to invoke the Power within your Sak Yant Grao Paetch Tattoos.

This tutorial is made for use in the Sak Yant Foundation and the Buddha Magic Projects i am involved in, to increase knowledge and build a foundation of reference material in the English Language for those in the present and future to research.

Diamond Armour Yantra - Yant Grao Paetch

Diamond Armour Yantra – Yant Grao Paetch

Kata Yant Grao Paetch

The Incantation within the great Diamond Armour Yantra of Luang Por Parn, of Wat Bang Nom Kho – so famously seen tattooed on the skin of Thai Buddhist People since Ancient Times, (and Foreigners in Modern Times). Use this Kata to Invoke and Empower your Yant before leaving the home to travel, and chant silently within on your journeys, to evade all dangers and inauspicious circumstances. This Kata Tutorial will also be added to the page for Yant Grao Paetch design for reference.

I Ra Chā Ka Dta Rasā Dti Hang Ja Dtō Rō Thi Nang Bpi Sam Ra Lō Bu Sa Pu Sō Mā Na Ga Ri Thā Tō Pa Sam Sam Wi Sa Tē Pa Ka Pu Ban Tū Tam Wa Ka Wā Tō Nō A-Ma-Ma Wā A Wich Su Nuch Sā Nu Dti

If you are not squeamish then watch this clip of Khmer sorcery used to cut off the legs and subsequently kill a chicken – then the magician revokes the spell and returns the bird to its original state unharmed!

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Kata Nang Kwak ??????????? – how to worship Nang Gwak

Nang Gwak’s real name was “Nang Supawadii” the worship of Nang Gwak was adapted from the Brahmin traders who moved into Thailand about 2000 years ago.

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Nang Gwak - waving ladyOm Sriwichay Gangwian – Phu Jao Khao Khiaw Mii Luuk Kon Diaw Cheu Naang Gwak – Chaay Hen Chaay rak Hying hen Hying tak – Tak Tuan Naa – Puak Paanichaa Paa Guu bpai kaa terng Mueang Maen – Guu ja bpai kaa hua whaen gor dai wan la Saen Tanaan Guu ja kaa saarapadgarn gor dai doey klong – Guu ja kaa tong muea rai  gor dai dtem haab piang wan niibpen rooy saam haab ma ruean saam duean bpen saedtii saam bpii bpen Por Kaa Sampao – Pra Rasii Puu bpen Jao bprasit hai gae luuk kon diaw – swaaha.

Use this kata when you are going to sell things, or in your place of business in the morning, you can also chant it into some prayer water and use that to sprinkle over your wares that you are selling too.

Download Song about Nang Gwak Read about “Who is Nang Gwak?”

How to make offerings?

The patron saint/Deva of all MerchantsOne should use 5 incense sticks and offer flowers, red syrup drink (sala flavour, knows as “nam daeng” in Thai), water, and some sweets and rice as offerings.

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Light the incense candle and offer the flowers and drinks. Then Say “namoe Dtassa Phakawadtoe Arahadtoe Sammaa Samputtassa 3 times, and bow three times to Buddha before you begin chanting Kata nang Gwak.

Links:

Nang Gwak Lanna –  The story of Nang Gwak Pha Yant Nang Gwak

Change the water sweetmeats and flowers every morning when you open shop, and liught new incense too each time.

Kata Yant ha Taew – Kata Praputta Jao Ha Praongk – ??????????????? 2 ????

Yant Ha taew has differing Katas with many masters, and is often especially composed for each particular person’s destiny/Fate. But in general, there are 3 or four main versions which are used in most cases.
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This Kata should be practised forwards and backwards in order to develop an intense concentration of mind whilst invoking the Kata. A clear understanding of the Magickal correspondence to the meaning of the number five is also required, as well as the study of the five Dhyani Buddhas and their corresponding Meanings/Aspects.

This is the version by Ajarn Thoy Dabos

Na Moe Put Taa Ya Na Mae Dti
Moe Put Taa Ya Na Na Mae Dti
Put Taa Ya Na Moe Na Mae Dti
Taa Ya Na Moe Put Na Mae Dti
Ya Na Moe Put Taa Na Mae Dti

Yant Ha Taew - ??????????? - Five Pillars, or Rows Yantra, as made popular by the Actress Angelina Jolie, after visiting Ajarn Noo Ganpai to receive this yant

Yant Ha Taew - ??????????? - Five Pillars, or "Rows" Yantra, as made popular by the Actress Angelina Jolie, after visiting Ajarn Noo Ganpai to receive this yant

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This is the Version used by Ajarn Lao (Singapore-Thailand)

I Dti Bparamidta Dtingsaa

Idti Suppanya Maakadtoe

Idti Poetti Manubpadtoe

Idti Bpisoe Jadtae Namoe

Ya Mi Isa Puttoe Yaa