Yant Gao Yord (ยันต์เก้ายอด): The Quintessence of Sacred Protection

As an individual deeply immersed in the esoteric traditions of Southeast Asia, particularly the intricate world of Sak Yant, I can confidently assert that the Yant Gao Yord (ยันต์เก้ายอด) holds a singular and preeminent position within the vast pantheon of Thai sacred tattoos. Its ubiquity on the skin of practitioners, from novices to seasoned masters, is undeniable, making it arguably the most frequently inscribed Yant across Thailand’s temples and private samnak.

Yant Gao Yord and Pratap Hlang Seals

Yant Gao Yord and 2 Pratap Hlang Seals – for sealing the spell – usually added to the shoulder blades beneath the Yant in Sak Yant Thai Temple Tattoos. Otherwise inscribed on the rear face of the Yantra Foil for Takrut amulets

This widespread adoption is not merely a matter of aesthetic preference; it speaks to the profound symbolic resonance, protective efficacy, and foundational significance that the Gao Yord embodies within the spiritual framework of Wicha Sak Yant. In this extensive discourse, I aim to dissect the multifaceted nature of the Yant Gao Yord, exploring its historical trajectory, its intricate design, its esoteric meanings, and the compelling reasons for its status as a foundational Yant Kroo (Master Yant) for countless Kroo Ba Ajarn (revered teachers) in the lineage of this ancient art.

Yant Gao Yord Mon style by Ajarn Neng (Awn Nuch).

Yant Gao Yord Mon style by Ajarn Neng (Awn Nuch).

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To comprehend the significance of the Yant Gao Yord, one must first appreciate its fundamental structure. The term “Gao Yord” literally translates to “Nine Spires” or “Nine Peaks.”

This numerical and architectural motif is central to its design, which typically features nine distinct representations of the Buddha. These ‘peaks’ are often depicted as conical or pyramidal shapes, each representing a specific aspect of the Buddha’s virtues, a sacred blessing, or an invocation. The precise arrangement can vary slightly between different lineage (samnak) traditions, but the core ‘nine’ element remains constant.

Yant Gao Yord (Nine Spires)

Yant Gao Yord Mon style (Nine Spires)

These central nine spires are invariably accompanied by surrounding Aksorn Khom (Khmer script) sacred syllables, known as Kata (mantras or incantations), and sometimes by other protective symbols or geometric patterns. It is this combination of iconographic representation and phonetic power that imbues the Yant Gao Yord with its potent protective qualities.

My own journey into the depths of Sak Yant has afforded me the privilege of studying numerous variations of the Gao Yord, from the minimalist designs favoring raw spiritual power to more elaborate compositions reflecting specific regional styles.

What becomes immediately apparent is that while the fundamental concept of nine spires remains, the nuanced interpretations by different masters highlight the living, evolving nature of this tradition.

Some Ajarn emphasize the Na Yord Gaew (นะยอดแก้ว), the “Jewel Summit” Yant, within each spire, while others focus on specific Buddha Kata (คาถาพระพุทธเจ้า), or invocations of the Buddha’s divine qualities, such as Itipiso, a powerful Buddhist chant encapsulating the Buddha’s ninety-nine virtues.

The spiritual attributes attributed to the Yant Gao Yord are comprehensive and multifaceted. Primarily, it is revered as a general-purpose protective Yant, offering universal blessings and safeguarding against a wide array of dangers.

These include:

Maha Amnaj (มหาอำนาจ): Bestowing great power, authority, and influence. This is particularly relevant for leaders, soldiers, or anyone seeking to command respect and presence.

Maha Metta (มหาเมตตา): Cultivating loving-kindness and compassion, thereby fostering popularity, goodwill, and favorable interactions with others. This aspect brings forth friendliness and benevolence, helping the wearer avoid conflict.

Klaew Klaad (แคล้วคลาด): Providing evasion from danger, accidents, and harm. This protective quality enables the wearer to avoid perilous situations entirely, or to emerge unscathed from them.

Kongkrapan Chadtri (คงกระพันชาตรี): Granting invulnerability against sharp objects and physical harm. While not absolute, it is believed to reduce the severity of injuries and protect against penetrating wounds.

Chok Lap (โชคลาภ): Attracting good fortune, prosperity, and success in endeavors. This aspect is often sought by merchants and those in business.

Serm Duang (เสริมดวง): Enhancing one’s destiny and improving astrological fortune. It is believed to counteract negative planetary influences and bad luck.

Poka Sap (โภคทรัพย์): Drawing in wealth and abundance. This is distinct from Chok Lap in its focus on material accumulation and financial stability.

Gan Phii (กันผี): Protection against malevolent spirits, black magic, and negative energies. This is a crucial aspect in a culture where belief in such forces is pervasive.

It is this broad spectrum of blessings that makes the Yant Gao Yord an ideal introductory Sak Yant for many, serving as a foundational layer of spiritual protection upon which further, more specialized Yant can be built. In many samnak, it is the first Yant a practitioner receives, establishing a baseline of merit and protection.

Yant Gao Yord with See Bantat (4 Lines) below

Delving into the “construction” of the Yant itself, beyond the visual elements, involves a profound understanding of Pali (บาลี) and Khmer (ขอม) liturgical languages, which form the bedrock of the Kata. The Kata (คาถา) are not merely arbitrary syllables; they are meticulously selected and arranged invocations derived from ancient Buddhist and animist texts. Each syllable, when properly chanted during the tattooing ceremony (Sak Yant Pluk Sek), is believed to resonate with specific cosmic energies and spiritual entities, activating the Yant’s inherent power. For instance, the Na (นะ) symbol, often found within or near the spires, is a potent abbreviation of Namo Buddhaya (นะโมพุทธายะ) – “Homage to the Buddha” – a foundational reverence. The specific Kata associated with Gao Yord often invoke the Buddha Koon (พุทธคุณ), the virtues of the Buddha, creating a spiritual shield.

Sak Yant Gao Yord And Yant Ha Taew

The reasons for the Yant Gao Yord’s status as a Yant Kroo (ยันต์ครู) – a master Yant or fundamental Yant – for so many Kroo Ba Ajarn are multifold and deeply rooted in the practicalities and philosophies of Sak Yant. Firstly, its comprehensive protective qualities make it an indispensable foundation. An Ajarn often ensures that their students or followers possess this basic layer of spiritual armor before moving on to more specialized Yant that might address specific needs or aspirations. It’s akin to teaching the fundamentals of a martial art before introducing advanced techniques; the Gao Yord provides the essential groundwork.

Secondly, the Yant Gao Yord embodies the core tenets of Buddhist teachings that permeate Sak Yant. The nine spires are frequently associated with the Nine Supreme Blessings of the Buddha (นพเคราะห์), or the nine aspects of the Buddhist Dharma that lead to enlightenment. This strong connection to Buddhist principles makes it an ideal Yant for Ajarn who wish to impart not just magical protection but also spiritual guidance. By receiving the Gao Yord, the practitioner is not merely acquiring a tattoo; they are being initiated into a spiritual path that emphasizes mindfulness, compassion, and the cultivation of good karma.

Sak Yant Gao Yord by Luang Pi Pant - this was my (Ajarn Spencer) first Sak Yant tattoo, which is traditional and according to the Dtamra Sak Yant, for this is the Yant Kroo (master Guru yantra) of Luang Por Phern, and should indeed be the first tattoo you recieve before any other Sak Yant.

Sak Yant Gao Yord by Luang Pi Pant – this was my (Ajarn Spencer) first Sak Yant tattoo, which is traditional and according to the Dtamra Sak Yant, for this is the Yant Kroo (master Guru yantra) of Luang Por Phern, and should indeed be the first tattoo you receive before any other Sak Yant.

Furthermore, the simplicity and versatility of the Gao Yord’s design allow for its adaptation across various body parts and its integration with other Yant. While it is commonly found on the back, particularly near the nape of the neck as a primary protective barrier, its compact nature allows for placement on arms or chest as well. This adaptability makes it a practical choice for a “first” Yant, or for masters to use as a central protective element in a larger composition of tattoos.

The historical lineage of the Yant Gao Yord is somewhat difficult to trace definitively, as many ancient Yant designs were passed down orally and through master-disciple relationships, with specific details often remaining within the confines of a particular samnak. However, it is widely believed that the core principles of the Gao Yord, incorporating Buddhist iconography and Khom Kata, have roots extending back centuries, possibly evolving from ancient Khmer and Mon animistic beliefs that predate the widespread adoption of Theravada Buddhism in the region. The integration of Buddhist philosophy provided a new, potent framework for these existing spiritual technologies, elevating them to a higher echelon of sanctity. The presence of Khmer script (Aksorn Khom) in virtually all traditional Sak Yant, including the Gao Yord, is a clear indicator of the deep historical and cultural exchange between the Khmer Empire and various kingdoms in what is now Thailand.

In my experience, observing masters like the late Luang Por Pern (หลวงพ่อเปิ่น) of Wat Bang Pra, who himself was deeply associated with the Gao Yord, underscores its enduring power. His renditions of the Gao Yord were imbued with immense spiritual energy, drawing countless devotees seeking its protective embrace. Modern Ajarn continue this legacy, each adding their subtle interpretation while respecting the core principles that define this iconic Yant. The meticulous process of Pluk Sek (ปลุกเสก) – the ritualistic empowerment of the Yant through chanting, meditation, and spiritual concentration – is paramount. Without proper consecration by an Ajarn with genuine lineage and spiritual attainment, the Yant remains merely ink on skin. The Yant Gao Yord, being a Kroo Yant, often receives an especially potent and prolonged Pluk Sek, reflecting its foundational importance.

The Yant Gao Yord (ยันต์เก้ายอด) is far more than just a popular tattoo; it is a profound spiritual artifact, a compact yet comprehensive repository of protective blessings and Buddhist virtues. Its continued prominence within the Sak Yant tradition stems from its universal applicability, its deep spiritual roots, and its function as a foundational element upon which a practitioner’s spiritual journey can be built.

For any serious student or practitioner of Sak Yant, understanding the Yant Gao Yord is not merely an academic exercise; it is an essential step towards comprehending the very essence of this captivating and powerful sacred art. Its enduring appeal across generations of wearers and masters alike speaks loudly of its efficacy, and its timeless relevance, in providing spiritual fortitude, in an ever-complex world.


Yant Grao Paetch Diamond Armour Yantra

Buddha Magic Project has Published a new Tutorial of the Incantation for the Sacred Yant Grao Paetch (Diamond Armour) Yantra – used in Sak Yant Thai Temple Tattoos and Sacred Amulets.  I (Ajarn Spencer Littlewood), have now published a detailed synopsis of the Kata Pluk (Invocation) of the Kata Yant Grao Paetch.

Sak Yant Grao Paetch Ajarn Pi Bang Grating

Sak Yant Grao Paetch Diamond Armour Yantra Tattoo from Ajarn Pi Bang Grating

The synopsis is made with a whiteboard video using red cursor, to guide you through the composition of the Khom-Pali Kata Inscriptions within the Sacred Yant, and how to Chant this Incantation. This should help to invoke the Power within your Sak Yant Grao Paetch Tattoos.

This tutorial is made for use in the Sak Yant Foundation and the Buddha Magic Projects i am involved in, to increase knowledge and build a foundation of reference material in the English Language for those in the present and future to research.

Diamond Armour Yantra - Yant Grao Paetch

Diamond Armour Yantra – Yant Grao Paetch

Kata Yant Grao Paetch

The Incantation within the great Diamond Armour Yantra of Luang Por Parn, of Wat Bang Nom Kho – so famously seen tattooed on the skin of Thai Buddhist People since Ancient Times, (and Foreigners in Modern Times). Use this Kata to Invoke and Empower your Yant before leaving the home to travel, and chant silently within on your journeys, to evade all dangers and inauspicious circumstances. This Kata Tutorial will also be added to the page for Yant Grao Paetch design for reference.

I Ra Chā Ka Dta Rasā Dti Hang Ja Dtō Rō Thi Nang Bpi Sam Ra Lō Bu Sa Pu Sō Mā Na Ga Ri Thā Tō Pa Sam Sam Wi Sa Tē Pa Ka Pu Ban Tū Tam Wa Ka Wā Tō Nō A-Ma-Ma Wā A Wich Su Nuch Sā Nu Dti

Enjoy the first ever pictures published on sak-yant.com of Sak yant Master and Amulet Maker, Luang Phu Naen Kampiro of Wat Ban Gaset Sethee in Roi Et, as he performs a rare, and extremely powerful Sak Yant ceremony on one of his Looksit (also a practitioner of Ruesi-Ism). The Yant is tattooed using nam Man Wan Plai Dam (a sacred herbal oil using magical herbs from a sacred tree, which are said to bring great auspicious blessings). Not many Samnak offer this particular magical tincture for tattooing, so this is a rare chance to read about this topic.

Magical Useage of Plai Dam

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Plai Dam, is a plant of the Herb variety, which looks like grass leaves, with one clump or bushel being about 4 or 5 leaves in one group. Apart from being used for Sak Yant oils for tattooing Kong Grapan Chadtri type magic, Plai Dam is also able to be used for amulets and potions.When planted in the earth, the earth around the edge of the plant will turn from brown to black (Plai Dam means ‘black herb’).
If a small animal, such as a cat, walks past close to it, it will die in a short period of time. This causes the belief that Plai Dam has strong poison in it, and that because of this, if you plant it, it must be planted in a plant pot, not in the earth, for the lainger of pets or animals ingesting its poison.

The Plai takes about one year to grow. The auspicious magical time for planting and removing the Plai Dam from the pot (harvesting), is the night time. When the herb is ready for harvest, the surface of the earth in the pot will go hard, and the earth inside will have turned completely black (no brown earth left). The leaves are removed and the roots are put into an infusion with water.

If you use the water from the infusion of the roots of the plant, and let it flow into an open wound (make a small scratch on yourself), it will enter your bloodstream and become Kong Grapan power of invincibility against sharp objects and ballistic weapons. The roots themself can be dried and mixed with the black earth from the pot, and then used to mold ‘Look Om’ (a round gobstopper type amulet, named after the lozenge/boiled sweet, which is called ‘Look Om’ in Thai, meaning ‘ball for sucking’). The Look Om will be a Kong Grapan and Maha Ud magic spell (Gunstopper – guns refuse to shoot, and are silenced).

After the Tattoo is finished, the Looksit drink the Wan Plai Dam Tincture used for the tattooing of the Yant. In order for the spell to work correctly, the tincture must also be ingested after the tattooing rite.The goal of the spell is Kong Grapan Chadtri and Maha Ud Magick.

You may have even heard of the ‘Pra Somdej Plai Dam’ amulet – this famous amulet is in fact made using a certain amount of Plai Dam in the ‘Muan Sarn’ (sacred powders for mixing amulets). It is said that one soup spoon of the Plai Dam mixture is enough to make many thousand Somdej amulets with, and still be powerful.

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On the 6th of May, 2010 a dead body was found shot in a field next to the Samnak Sak of Ajarn Noo Ganpai.
The victim turned out to be one of the Looksit of Ajarn Noo and was apparently in charge of the Amulet store at the Samnak…

downloadpdf

Download full article here as a PDF

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due to the Looksit being a close member of the Ajarn Noo team, questions arise as to why this devotees Sak Yant tattoos and Sacred amulets did not help him in the moment he most needed it.  Before reading the article in the pdf, perhaps you might like to watch these videos of Ajarn Noo showing off his Kong Grapan magic using a cutter and swords in a convincing display of the proof of Magic

(I have corrected the date of the incident reported in this post; It was first made with a mistake in the date which said “June” – see comments below)

Ajarn Noo Long Khong Fan Daab

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Torso found with no rotting in the area where Sak yant was made on the skin

konggrapan

This Thai documentary “Rueang Jring Pan Jor” covers the case of a devotee of sak-yant who was shot at point blank range in his bed in nan province. Mr Sompet Intam tells the tale of Bulletproof magic, and believes that the miraculous fact of his survival is due to the fact that he wears sak yant tattoos from his Ajarn, “Pra Tapagorn Intachoto” (at that time still an ordained Bhikkhu), the abbot of Wat Phatub. 5 days after having recieved the yant, he was shot nine times with both shotgun and 38 caliber revolver at point blank range.

(pic left – a case of the remains of a corpse being found where only the area with sak yant tattoos has not rotted)

Since this event, the once abbot of Wat Pha Tub in Nan province has disrobed and has a small sak yant samnak in ban Pitileb Ban Panka, nan province. The documentary takes a shotgun to ballistics experts to test the possibility of such an even being possible for someone to survive such a barrage of shots at point blank range withoout the gunshots piercing the skin…
Watch the results in this documentary;

Kong Grapan Mee Jring

The rules of this Ajarn says; “Forbidden to cry or beg the assailant for mercy, and to not partake of intoxicants and keep the five precepts, – only do good and do no evil. If your enemy assails you, then concentrate on all things that are good and do not cry, scream or beg for mercy.

This video depicts Hlwong Por Sue using a Japanese Katana to test the power of his Kong Grapan amulets. This Monk/Ruesi (i say this because he is a Buddhist monk who dresses in red because he is also Ruesi), uses a Samurai sword on the stomach of his devotees to test the Kong Grapan power of his amulets. First he lets people test the sharpness of the sword by running their fingers along the blade, then he lays the blade on the floor and lets 2 women walk over it. After this he saws the stomach of the first devotee and then whacks hm with incredible force in the stomach. He even leaves the ground with the effort to run and jump at the devotee. You can hear the sword as it whacks them! This monk as in many cases is breaking his Vinaya (rules, or precepts of ordination) by hitting the devotee. Of course, we are used to this and it is becomeing common knowledge that Thailand is more an Animist culture than a Buddhist one. This fact is to the great frustration of the officila organized body of the Buddhist Sangha in Thailand. Conferences are being held often to try to find a way to separate the practise of shamanistic magic from the Buddhist Sangha. There is nothing wrong with practising “Saiyasart” (occult magick), unless you are under religious vows that prevent you from doing so, which Buddhist monks are, of course. This kind of practise should be left to the Brahmins and Ruesi as far as the Buddha’s Vinaya goes. But this is of course, “Amazing Thailand” 😀

Actually, to be exact, Buddha didn’t forbid it, rather did not admonish or approve of it, but in Buddha’s time, there were many Monks displayig all kinds of miracles, which Buddha also did not deny. Buddha’s point was however, that the highes form of miracle was the practise of gentleness and purity (Brahmacarya) that is free from all Kilesa. Not to show off with one’s powers in order to gain respect, devotion, fame and offerings.

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This videoclip was sent to me (im not sure by who, but thanks anyway), which i then re-edited and put up speech ballons with the various Katas on each line of Ajarn Thoy’s version of Gao Yord. This version is extremely interesting and beautiful because of the increased number of different Katas in it. Ajarn Thoy is anyway famous for his extensive Katas whilst blessing his devotees.


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