Here is a little look into the Wai Kroo  master Day ceremony, which I celebrated at my home ashram on 6 March 2557. All people who receive Sak Yant tattoos, as well as devotees of the Lersi Hermit Gods and Occult Sorcery, must according to tradition receive the laying on of the Lersi Khone Mask (Siarn Kroo), and attend or perform the Mass today ceremony which is known in Thai language as ‘Wai Kroo’.

Wai Kroo Saiyasart Asrom Por Taw Guwen

I took advantage of the occasion for boiling all of the Amulets I have made over the last year and been empowering, to boil them in sacred oils and perfumed oils with other sacred Amulets I have collected from a host of great masters of modern and ancient times.

Boiling the potion in the sacred cauldron

I must admit it was very difficult making a private master day ceremony, because one had to do all preparations, setting up, incantations and all the activities, and the clearing away of everything afterwards all by ourselves (2 people). I decided to hold it privately and unannounced in order to customise myself with self conducted performance of the ceremony, and to accustom myself to every facet, and aspect of the preparation and performing of the ceremony.

I prepared a cauldron, inscribing sacred geometry designs on the surface of it beforehand, in order to empower it with the Wicha for making See Pheung.

Boiling the potion in the sacred cauldronI used a mass of dried sacred herbs, woods, and other natural substances, as well as Amulets and elemental materials, such as Lek Lai Kaya Siddhi elemental substance, Holy treewoods, sacred rare forest flowers, powders and oils, and other kinds of amulets. These Amulets came from from an array of ordained and non-ordained masters of sorcery.  

Sacred herbs and other ingredients used in the formula for the making of See Pheung through boiling in a sacred cauldron with inscription of Yantra spells in Khom Agkhara on the surface of the cauldron

Sacred herbs and other ingredients used in the formula for the making of See Pheung through boiling in a sacred cauldron with inscription of Yantra spells in Khom Agkhara on the surface of the cauldron

Nam Man Prai, Kumarn Tong, Monk Coins, Muan Sarn Sacred Powder amulets such as Pra Somdej Luang por Toon Wat Po Nimit 2512 BE, Pra Kong Chai Chum 2512 Ajarn Chum Chai Kiree, Pra Nakprok Taep Nimit 2496 B.E. Ajarn Chum Chai Kiree, Jatukam, Por Tan bam amulets of Wat Don Sala, Yantra Foils, Ploi  Sek Maha Pokasap polished Gems, Takrut, elemental substances, Wan Salika, Wan Sanaeh Jantr, Wan Nang  kwak, Mai Ga Fak Rak, Fak Ga Hlong, Lersi Rosary beads, Somdej, Lersi Por Gae Dta Fai amulets, Luang Phu Tuad amulets, Lersi statuette on naga throne, Somdej Luang Por Supoj, Wishing crystals, Jing Jok gecko amulets and gecko oil, and sinjana cords from suad pan yaks ceremony from Luang Por Suton.

Sacred Amulets in there while in motion within the cauldron

In truth, I cannot really remember many of the sacred items which I have gathered over the last three or four years in preparation for immersion in these oils. At first I thought I would make sacred Metta Oil,  but in the end, I realised I had hoarded and stashed so many herbs from my sacred herb garden, that it outweighed the amount of available sacred oils which I had put aside for this purpose. 

Amulets within the cauldron, boiling in sacred oils

Hence I decided to change my strategy, and to risk the experiment of my life, which I have been thinking about and contemplating its secret methods for the last year at least. I am actually halfway through an article, about how to make the essential See Pheung Balm, which is so waxy and thick, but which i have seen distilled from a cauldron using herbs and Nam Man Prai. This video I made some months ago, shows some of the Amulets which were immersed in the Cauldron during this Wai Kroo.

I possessed 90% of the secret methods, but it was impossible to find the actual catalyst which would transform the oil into a thick paste or balm, as we see in the case of See Pheung.

The rest was already ingrained in me over years of study practice and experimentation, from the ingredients to mix and its other formulas and the sacred geometry of Buddhist Yant to be inscribed along with the Khmer Sanskrit spells upon the surface of the cauldron, before adding the oils and herbs. The incantations of the mast today were already known to me and prepared to chance to invite the celestial intelligences to attend and to lend their blessings to the ritual ceremony.

See Pheung

Hua Chuea See Pheung – ‘Hua Chuea’ means, The concentrated extracts or that which is skimmed off the top. This is the total resulting substance derived from the massive cauldron of herbs oils and other substances. The rest is absorbed within the sacred powder and wooden Amulets which were immersed within the Nam Man Prai and boiled up.

I cannot reveal what is the missing secret, which transforms and catalyses the formula into becoming a thick paste which we know as See Pheung. But, I can say that the outcome was successful, but also, that the high density of herbal, and other sacred ingredients, has resulted in extremely concentrated form of See Pheung, that I have decided to do what many sorcerers in Thailand will do with the substance, and dilute it, with other perfumed substances.

Inscription of magic spells upon the exterior of the candles which also possess a sacred spell inscribed within the core of the candle

Inscription of magic spells upon the exterior of the candles which also possess a sacred spell inscribed within the core of the candle.  The candles are made for removing negative influences in one’s line of fate, and Karma. They were created and empowered by Pra Ajarn Supasit of Wat Bang Nam Chon.

This is done, in order to make it possible to apply, and affordable to distribute. I must have invested about at least $1000 in making this cauldron of oil, whole 5 Liters of Sacred Oils, perfumes and other liquid substances of magical nature. The result, was a half litre tub of sacred See Pheung balm. From a whole cauldron full of herbs and 5 L of Sacred Oil, we have ended up with about half a kilo of extremely concentrated See Pheung. 

One thing which I have forgotten to reveal until now, is the fact that I added a whole litre of Nam Man Prai Hun Payont, and A large wooden animist humanoid effigy made from Sacred Ga Fak Rak tree, bound with sinjana cords and empowered with reanimation spells by Por  tan Kloi of Wat Phu Khao Tong.I made this oil some months before using the remnants of three other Nam Man Prai oils to mix together and then immerse the hun payont ghost soldier along with a goosebone yantra spell, lek lai, loads of sacred woods, herbs amd other amulets. This was poured into the cauldron to and used for empowerment.

Sacred Yantra inscription

Sacred Yantra inscription

I hope you enjoy viewing my private home ceremony and that it inspires you, and gives you ideas about how to set up your altar for such a ceremony. Of course this is not the full blown version, rather and affordable and practical, realistic ceremony for a small family at home in private.

Inscribing sacred Yantra foils on silver Takrut foil

Inscribing sacred Yantra foils on silver Takrut foil 

Thee large Yantra foils were immersed to perform differing purposes.

Yant in the cauldron

The Amulets which were boiled in the cauldron, I’m now being laid out to dry every day until they can be encased, and I shall be distributing them to both customers of my amulet store at Thailand Amulets, and also those who interested themselves for my publications, my podcasts on soundcloud, and my YouTube channel, as well as many of my Facebook friends. 

Hubble bubble toil and trouble

Hubble bubble toil and trouble

Almost all Amulets I make a distribute for free, whereas those which were made to be solved by others, I distribute for a price for that is what purpose they were made for. The ones I make are not made for a commercial purpose, rather than to bring joy to others, nothing else.

Cauldrom

Cauldron with Yant Long See Pheung inscription.

Cauldron was inscribed the night before inside the ashram The cauldron was inscribed the evening before the ceremony, within the ashram. 

Sacred Yant long See Pheung

Sacred Yant long See Pheung

 

The main Buddha image used was Somdej Pra Wat Nang Paya

The main Buddha image used for the altar, was Somdej Pra Wat Nang Paya  

Altar

Buddha Rupa

Apparently the existence of two different Ajarn Sak Yant with the same name has been the cause of confusing contact info being circulated. I would suggest that we find out now what the suffix-name of each Ajarn is so we can be specific when referring to each Ajarn, and that we now try to confirm and document on the website which Ajarn is definitely working from which Samnak.

As far as i understand from photos and info i have received from a friend who was conferring with me to find Ajarn Nuad (the one with the beard – Nuad means beard), and he did some serious reconnaissance and taxi driving to find exactly where this Ajarn in Soi Lad Praw is located and if it is indeed the Ajarn Nuad in question who i featured in my first publication, the e-book on Sak Yant.

In the end, it seems that the Ajarn Nuad featured in my book is in Kanjanaburi, and that the Ajarn Nuad in Soi Lad Praw in Bangkok is another one who has till now eluded my awareness.

Sak Yant – Korb Siarn – Wai Kroo – Samnak Ajarn Nuad reveals the true atttitude towards the practice nof this Wicha Sak yant, and the way to wear these Sacred Blessings..

Ajarn Nuads Respected Samnak Sak Yant reveals the true tradition of Sak yant and the Lineage, as well as how the wearer is called upon to behave within the five precepts in order for the Yant to perform their blessings.

This explains also how people should not take a Yant design to a tattoo studio, for there is too much tradition and religious belief involved for this to be performed in such a manner.

Enjoy some pics which my friend sent me from Ajarn Nuad in Lad Praw Bangkok. Please if anyone finds the true Kanjanaburi address of the other Ajarn Nuad, post it on the forums for others to use, as we are speaking of a very important Ajarn who is one of the few in direct Wat Bang Pra Lineage who seems to be keeping the true Wicha and being very respectful to not be tempted to develop curiosities or step outside of his lineage. he reminds me of Luang Pi Pant in his work a lot too, and seems to be a true Wat Bang Pra Lineage master, who has a very long and great trajectory in front of him.

Ajarn Nuad – Soi Lad Praw, Bangkok.

Photo and Tattoos; Andrew P.

Buy the Sak Yant E-Book

Address;
Soi Vachirapol (Ram Intra district)
Next to Wat Sri Pongs Dhamma Nimitta, in Moo Baan Resorta.
(Blue metal gate, and a sign in Thai which indicates ‘Ajarn Nuad’).
Telephone: 087- 031 5053
Samnak Sak Yant Opening Times;
Non Holidays: – 17:00 pm onwards
Saturdays and Sundays:- 08:00 am onwards.
Thai for print and give to Taxi
ที่อยู่ :ซอยวัชรพล ย่านรามอินทรา ติดวัดศิริพงษ์ธรรมนิมิตร หมู่บ้านรีสอร์ทต้า เข้ามาประตูรั่วสีฟ้ามีป้ายบอกว่าบ้านอาจารย์หนวด
เวลาสักยันต์ วันธรรมดา สักตั้งแต่ 17.00 น. เป็นต้นไป วันเสาร์-อาทิตย์ ตั้งแต่ 8 โมงเป็นต้นไป
โทร: 087- 031 5053






All that remains now is to clarify the true and exact whereabouts of our Amazing, Elusive and Bearded Ajarn Nuad from Kanjanaburi/Wat Bang Pra, and to make a page worthy of both him and this Ajarn featured above, so that his non-Thai speaking Looksit and admirers can seek him out. One way to contend with the National Dissatisfaction arising from tattoo studios making Sak Yant is this, by making the true Ajarns whereabouts known so that people can get their Yant wherever they are in Thailand without having to get it from a studio with nor magical or religious training.

email adress

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Sad News now about one of Central Thailands most popular Sak Yant Masters Passing – Ajarn Gaew Jantr (Bang Sue) sadly passed away on the 22nd February at 3:00 a.m. in the morning. He was aged 53 years, two months and sixteen days old. The location of his Funeral pyre is Wat Machimandtigaram (Wat Noi) and was held on the 28th of February 2554 BE. The chanting of the Abhidhamma was held at 21:00 hours and the last words to his Looksit were read out to the congregation. The dates for the 50, 100 day and rod nam songkran ceremonies will be given as well as the tenth of December being announced as the remembrance day for Ajarn Gaew Jantr.

May we all offer some of the fruits of merits to Sak Yant Master Ajarn Gaew Jantr and offer our respect and remembrance of his great works. His legend lives on in the hearts of his Looksit, and those who knew him, and his name will remain forever in the annals of Sak Yant History, for his role in maintaining the Thai Brahmanic traditions and the Ruesi Dtamnan, and promoting the Buddha Sasana with his Merits. Ajarn Gaew was President of the Chom Rom Kon Rak Por Gae (Por Gae Lovers society).

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Ruesi Puttawaet will soon be covered on sak-yant.com along with a page dedicated to his Dtamnak (Asrom Baramee Phu Jao), in Chiang Mai. Ruesi Puttawaet is a young Ruesi who has a surprisingly large following and a great deal of respect and reverence from local people.

Watch the video of his Wai Kroo ceremony as an Hors Doevre before i publish a page about him in English.


Website of Ruesi Puttawaet
Puttavet.com

Ajarn Kaew Jant – Bang Sue, Bangkok

Ajarn Kaew

Enjoy this gallery of images taken at a previous celebration of Ajarn Kaew’s Wai Kroo festival.
His location is soon to be published under the samnak sak section. Ajarn Kaew is a Sak Yant Master emitting the lineage of both Por Gae Ruesi Dta Fai, and Pra Pirab (Bhairab Yaksa). Pra Pirab is also one of the characters with a major role in the Ramakian (Thai Ramayana). Ajarn Kaew is also an accomplished master amulet maker.
Wai Kroo Ajarn Kaew

Ajarn Kaew is one of the most popular Lay Masters of Sak yant in the Thai Community who rever Por Gae – he is also founder of the “Chom Rom Rak Por Gae” (association of Por Gae Lovers). Many of the devotees at Ajarn Thoy’s Samnak can also be seen present at Ajarn Kaew’s Samnak Sak

Sak Yant tattoos by Ajarn Kaew

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2551 BE Master Day Ceremony – Wai Kroo Ajarn Kiaw 2008

Videoclip of last Wai Kroo Master Day ceremony at Ajarn Kiaw’s this devotee spends a long time in trance – notice his vomiting cough at the beginning – this is characteristic of when Por Gae Ruesi Dtaa Fai enters the body of a devotee.. it happens often at every samnak. Then he begins to shout (scream) and point his finger – this is also characteristic of Por Gae psession. Lastly, he laughs with the cackle of an opld man – this also is the thrid characteristic of posession by Por Gae Rasi Dtaa Fai